MODIFIED
LABEL PRESS LAUNCHES OFFSET CARTON
PRINTER INTO UV FLEXO
The versatility of today’s narrow web press
lines is well demonstrated by the development by Omet of successful
prototype carton packaging press based around its established label press
technology.
Omet has unveiled its first UV flexo carton press at French carton printer
TPG, based in Malville. Initially installed as a prototype machine last
year, the 8-station press can also be used to print a range of substrates
from self adhesive labels to foils.
TPG was a ‘traditional’ offset carton house running two Roland Record
machines and a range of off-line sheet finishing equipment including Bobst
die cutters, embossers and hot stamping units. The company’s primary market
is for chocolate wraps. It services some of Europe’s biggest confectionery
groups with jobs which require dense blacks, browns and reds, as well as
fine golds and delicate reversed out text.
The move from offset sheet production to a complete UV flexo in-line process
including die cutting, embossing and stacking, is a bold move in the
confectionery market, where offset is regarded as the quality benchmark for
carton work.
Chairman and managing director at TPG, Alain Bouche, concedes that selling
the UV flexo process to packaging print buyers has been one of the most
challenging aspects of moving to the new workflow. ‘The change from offset
board printing to flexographic has raised eye-browns and possibly even
caused concern among customers. We need clearly to explain our strategy
since these reactions are the limited information widely available at
present on flexographic printing.’
But a focused sales effort aimed at brand managers added to the TPG team’s
huge enthusiasm for the new print process, has already paid handsome
dividends. Today more than 40 different products printed on the Multiboard
are on the shelves of stores. Some were switched from offset to UV flexo and
others were produced from the outset UV flexo.
At the open day when the press was shown to selected journalists, Angelo
Bartseaghi, president and chairman of Omet, predicted ‘new horizons’ for the
folding carton industry. ‘I am predicting today that UV flexo technology and
in-line board converting will deeply modify this market within the next ten
years. Printers will discover new approaches to get back to better
production profits and this with even less investment than for traditional
sheetfed offset equipment. Today’s presentation of a UV flexo press inside
an offset printing company is consequently a major event.’ Bartseaghi also
emphasised the critical importance of close collaboration with the team at
TPG in developing the prototype Multiboard into a fully production ready
machine.
Working fully rotary and in-line with the print stations allows TPG to
produce completed cartons in a fully integrated process from blank stock to
finished product, with no work in progress, presenting the company with the
opportunity to completely rethink its workflow, as Daniel Beillevert,
production manager at TPG explains:
‘On-line production of labels or folding
cartons required a vast staff retraining exercise. To learn a new trade, to
learn not to intervene for the least think, to just verify the correct
operation of the line and then not to worry – all this is a far reach from
the habitual role of the offset printer. Indeed, once the setting check list
is complete, production boils down to simple parameter verification.’
This process consistency has allowed TPG to focus much more heavily on QA at
the pre-press level, according to Roselyne Rocherioux, quality manager at
TPG. ‘Quality in flexography – the global quality of a product from the
Multiboard chain – is achieved before production, since flexo line
production offers immediate quality control of the finished product. This
allows us to act further upstream and preventively.’
Once the press is running at its full 120 m/min production speed, it will
produce 60,000 cases of finished cartons at the exit stacker an hour,
supervised by just three operators. TPG can produce one million 20 x 25cm
cartons a day, 8-colour, complete with varnishing print-registered embossing
and cutting. Vincent Cahier, manufacturing planning manager, says this has
led to a ‘spectacular’ change. ‘In the morning I draw up the material exit
form for the flexo machine and plan for delivery departure that afternoon.’
This has had significant staffing implications, allowing TPG to reduce the
number of hours worked by the staff operating the Multiboard to 32 hours a
week while the press is running 24 hours a day, six days a week.
What is the cutoff point between offset and flexo jobs at TPG? At first, the
company transferred short runs of offset jobs onto the Omet just to prove to
themselves and their customers that offset quality could be matched
acceptably.
But with the consistency of the UV flexo process combined with the ability
to produce finished products in one pass, TPG is opening up new markets
where on-demand, repeat production is called for. ‘The Omet press is most
effective where you need longer runs but delivered in a series of smaller
quantities, just-in-time,’ says Alain Bouche. So it is the shorter run,
one-off jobs which tend to go to offset.
TPG is not talking about the death of offset. On the contrary, it believes
the two systems will continue to run side by side, and it is important to
recognise the limitations of flexography. ‘The quality we are achieving is
very similar to offset printing,’ says Alain Bouche. ‘But if you want to go
from 100 per cent to nothing you still need offset.’ A ‘safe’ lower dot
range for TPG using analogue plates and manual mounting is around four per
cent.
Flexo also has some clear advantages over offset in terms both of speed of
make-ready. With no ink/water balance to set, UV inks are up to correct
density within a couple of cylinder rotations and the process is inherently
stable thereafter. The ink is maintained at a constant temperature by
pre-heating the ink pans to 38-40oC. This is important, as temperature
changes can affect UV ink viscosity and print consistency. The printing
units are mounted on water-cooled drums to aid temperature control.
The UV lamps on the press – supplied by GEW – are rated at 240 w/cm to
ensure consistent cure, particularly on the heavy whites and blacks. (To
obtain a ‘luxury’ feel on the chocolate wraps an all-over white is often
used as an ‘undercoat’.)
The density of UV flexo inks – supplied here by Sicpa – was the second
important factor, since the chocolate wrap market demands heavy blacks,
browns and reds. To obtain sufficient density on an offset press, it is
often necessary to run two black towers. TPG’s existing offset presses are
three- and four-colour Roland Records, so jobs with seven or eight colours
had to be run through the press twice.
Specification
The Omet Multiboard 520 installed at TPG is
an eight-unit press with UV dryers on the first six units and combination
hot air/UV on the last two.
The Multiboard shares many design characteristic with Omet’s label presses,
utilising the same basic printing units for
example. The principal difference is in the unwind and rewind systems, where
different tension controls for less pliable substrates are critical. Also
the guide rollers are thicker (six inch diameter) so the substrate has a
less angular path through the press. On the converting end of the machine
the chasis is 50mm wide to give it a proper robustness in dealing with these
more abrasive substrates. A moisturising unit is also incorporated to
prevent the board drying out and warping.
Interestingly, TPG chose not to incorporate automatic register control on
its Multiboard – usually standard on a press of this specification and which
would reduce make-ready waste by as much as a third. TPG’s justification –
apart from budgetary constraints – was that it wanted to be sure the press
could print in register purely through mechanical stability.
Additionally there is only a single unwind. A non-stop butt splicing unit is
commonly specified where longer runs are being undertaken.
Another important development for the Multiboard is a stacker unit
incorporating an electronic counter, which can be rolled on or off the press
line as required. The unit is based around the folder/stacker originally
developed for Omet’s tissue production lines and was built to TPG’s
specification.
The option exists to completely automate the post-delivery packaging
operation, including strapping, wrapping and palletising. Again, this is
already a standard option on Omet’s tissue packaging systems.
Quick change between jobs is achieved via cassettes which are made ready
offline. The change cassettes, delivered on trolleys, carry anilox, doctor
blade and in tray, delivered with the plate cylinder gears set to a
pre-registered position. To make the change, the old cassette is simply slid
onto the trolley and the new one slid in. A job change on four printing
units takes around nine minutes.
Quick change cassette systems for die cutting and embossing cylinders are
available for Omet’s labelling presses, but these are much lighter units
than required for carton work. Nonetheless, embossing, cutting, die cutting
and creasing units can be removed from the machine fast and easily, with
preliminary adjustment carried out outside the press. KDG proofs the
embossing cylinders off-line.
TPG’s press is configured with UV curing on the first six units and
combination hot air/UV dryers on the last two units, followed by the
embossing, die cutting/creasing and automatic rotary stacker. The unwind is
followed by an AB Kelva web cleaner, Dan Mekano de-curler and corona treater.
A turner bar can be included for reverse side printing. The web scanning
unit is a BST system.
The Multiboard is capable of handling boards up to 550 micron thickness with
and is available in widths of 420, 520 and 620mm. The press control system
can recall historic and statistical data for later analysis.
TPG is looking to bring its years of offset carton experience to flexo
production and nowhere is this more evident than in pre-press. TPG does all
its pre-press in-house and has become skilled at altering the base process
colours where a dominant colour needs to be reproduced and controlled. On
the ‘Scala’ pack design demonstrated at the Open Day, a dominant warm red
was obtained by modifying the magenta and cyan strengthening the yellow.
Although this technique is well established on its offset cartons, TPG is
not currently using process colour modification commercially on flexo jobs,
although impressive technology demonstrations were on display at the open
day.
TPG is mounting its DuPont Cyrel flexo plates onto Polywest sleeves using a
DuPont Microflex mounting unit then an off-line pneumatic applicator. The
company is using analog plates at least partially for the same reason it
does not have register controls on-press – to understand UV flexo’s most
basic building blocks before exploring more ‘advanced’ options. Also, since
it could not justify the cost of a digital plate-making system, this would
mean going to an outside plate supplier, and so losing control of the
process. ‘Our pre-press department already has good curves for the flexo
press.’
Another potential problem facing carton printers looking to move into
in-line flexo production is the high cost of rotary tooling on the
converting end of the press, particularly if they already have a high
investment in off-line converting tools.
But in the case of TPG its carton production is in only eight formats, from
17.25 to 24 inch repeats, which makes it economic to purchase the full set
of rotary converting tools, including die cutting and creasing, stripping,
embossing, slitting and stacking.
All change
On its open day, TPG surprised even Omet with
its decision to change between four jobs in a morning. TPG was running a
range of typical chocolate wraps specially created by design agency KNA
Studio. Rotary die cutting units were provided by Rotometrics and the laser
engraved embossing units by Keller Dorian Graveurs.
To show the versatility of the press, the first job was set up printing 90
gsm paper foil labels produced on Van Leer’s Valvac transfer metallised
papers using six colours, a yellow varnish on station 7 to give a gold
appearance to the substrate, plus varnishing, embossing and die cutting at a
production speed of 120 m/min. A particular feature of this job were the
very fine reverses on the back panel.
The second demonstration showed was a job change to roll to roll process on
115 gsm top coated paper, run as a direct comparison to an offset job. It
took 30 minutes to make a complete changeover of all the print units,
putting on different materials and dies and change the repeat from 17.25 to
24 inch.
After machine stop, the press was changed over to print 300gsm folding
cartons, seven colours plus gloss and matt varnishing followed by in-line
embossing, creasing and die cutting.
The third job necessitated a change to 250gsm topcoated board, as well as
number of colours – to six colours, a lacquer and gloss on the last stations
– and repeat change from 24 to 18 inch. The electronic counter/rotary
stacker was bolted on.
The whole machine was changed over including all print units, die cutter,
creaser, embossing and stacker plus a change to board stock in half an hour.
The first was an eight-colour job which included an all-over white process
and solid blacks and a yellow varnish which on top of the aluminium film
creates a gold. Units seven and eight are supplied with combined UV and hot
air dryers giving the option to produce waterbased golds – better than UV
golds – and water-based lacquers.
The second job involved changing two colour units. Self Adhesive Labels
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